It is known for delivering astonishing sound and is a rare unit to find these days with only a handful of top studios lucky enough to own and maintain one. The Fairchild 670 is considered by serious studio gear monkeys to be the absolute gold standard in the world of compressors. Watch our video below to hear Waves CLA-2A plug-in against a modern-day Universal Audio hardware LA-2A. Over the years the LA-2A turned out to be quite a popular device in the software world being modelled by many third-party plug-in developers, most notably by Waves who emulated Chris Lord Alge's own favourite unit. Simply reduce the Peak Reduction while increasing the Gain to level compensate, and the rest is down to what amount of dynamic squeeze you feel your tracks need.

Peak Reduction and Gain which makes LA-2A compressors one of the easiest dynamics processors to set tastefully. Two simple controls dial in LA-2A compression. Vocal tracks are the main order of business for any LA-2A or emulation as their compression characteristics generally help to push vocals to the front in most styles of music. It handles gain reduction with barely any harmonic distortion side effects. The LA-2A is a tube electro-optical attenuator. For nearly six decades the original Teletronix LA-2A Leveling Amplifier has been a popular compressor choice in audio production, known widely for its abilities to apply instant and smooth sounding compression with ease.

Uad fairchild vs waves puigchild